So, I thought I should post about how i draw eyes. This is very basic so if you are someone who realized to start drawing the eyes then you can find it easy to draw here. Let's start.
Things you need- pencil colors, a pencil (for drawing of course) , eraser, and your hand.
So, this is what we are going to draw. A blue eye.
Remember we are drawing a eye, there are millions of people on earth who has different eyes. So, don't try to draw a perfect one okay? there is no such thing as a "perfect eye".
So, before drawing the eye you have to imagine and think which type of eye would you like to have? Wide? Cat like? Round? or any that you wan
GSinghh's tutorial folder
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jennomats tutorial folder
2
Diosrubra's tutor folder
11
Lineke-Lijn's tutorial folder
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BeckyKidus's students
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lineke-lijn's student folder
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diosrubra's students
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BeckyKidus Tutorial Folder
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TIPS,TECHNIQUES AND TUTORIALS
BeckyKidus Tutorial Folder 17
BeckyKidus on DeviantArthttp://creativecommons.org/licenses/by-nc-nd/3.0/https://www.deviantart.com/beckykidus/art/The-actual-Ultimate-Guide-to-Drawing-Fur-Free-PDF-955610003BeckyKidus
How to draw realistic (feathery) wings by BeckyKidus, literature
Literature
How to draw realistic (feathery) wings
Drawing realistic wings is, I presume, a challenge quite a lot of artists have come across. Maybe you want to add a couple small birds to a scenery, maybe you want to draw griffins or winged wolves, maybe even winged humans (otherwise known as "angels"), or maybe you're actually interested in the birds themselves. Either way - just how did those wings look, again? How large should they be, and how do they move? In other words - time for another tutorial. Some basic wing anatomy First of all, we need to take a look at how exactly a wing is built up. A wing is, of course, the bird's version of a human arm or an animal's front leg. You have a shoulder joint, an elbow, a wrist and fingers - the phalanx being the most important of those. Notice the kink in the elbow joint here. Because of it, an outstretched wing will never be completely straight, but always have a slight V- or U-shape close to the body. (In addition of being anatomically correct, this also helps the wing to look more
A tutorial about writing tutorials by BeckyKidus, literature
Literature
A tutorial about writing tutorials
So, tutorials. If you have followed me a while, you know I write one once every while. If you don't follow me... Well, this very text is a tutorial, so I think you can take for granted that I write them. Either way, I do write them, and I have been writing them for a while now. I have also learned a couple things during this while, and - with the help of a random discussion I had - I decided it could be a good idea to share some of that knowledge. And this elegantly brings us to the first of the things to think about: First of all: The topic A tutorial needs to focus on something, and that "something" should preferably be just one thing. If we start to explore multiple things in one tutorial, things tend to get confusing pretty easily. Common topics (considering we're on an art site) is something à la "how to draw X", "how to use Y medium", and other art-related topics like "how to do commissions", "how to find the perfect commission prices" and "how to find my style". Note that
The (I hope) ultimate guide to drawing fur by BeckyKidus, literature
Literature
The (I hope) ultimate guide to drawing fur
Edit: For the actual ultimate guide (in PDF format, even), look no further: The actual Ultimate Guide to Drawing Fur Introduction This is an unusual tutorial for me - in fact, I'd say it's an unusual tutorial in general. Said differently, it's an attempt to collect all you might want to know about drawing (realistic) fur in one place. Because of this, it won't be structured like your average tutorial, which explains one thing and is satisfied with that - we'll have sections instead (which are, of course, listed in the table of contents below). Those sections will start with more basic stuff, and get more advanced throughout. The article will still be structured in a way that it can be read as one coherent text, but the sections will also work each on their own. So, if you're only interested in one of the sections, scroll down and read only that. Also, this article will focus little on technique. There are a lot of different ways to draw fur, and they will be different for the
Reference photos and how to use them: part 3 by BeckyKidus, literature
Literature
Reference photos and how to use them: part 3
Obligatory note: This article focuses on how I use reference photos. The methods I use aren't the one perfect way of doing things, so if you disagree with something - then just don't do it this way. I still hope this article will give you some tips and tricks, as well as some things to think about. The last two articles in the series (links are found in the description) have talked about reference photos in general, and how I edit them. In the latter article, I explained how I tend to merge different reference photos in an editor rather than on the paper. I find it easier to get a good composition then, considering I can move the subject around, crop the background, eventually crop the subject itself, etc. However, sometimes this is not possible. Maybe it's hard to make a good photomanipulation, maybe you have a lot of references, maybe you just don't want to make one. Either way, you have to find a way to make a good composition on the paper (preferably without having to erase a
Some basics about drawing mountains by BeckyKidus, literature
Literature
Some basics about drawing mountains
Note: I won't go into specific techniques here - those will depend on style and medium, after all. These are just some general, more basic things to think about, which should be relevant no matter the medium or the style. One of my recent art goals has been to get better at drawing mountains. I've also gotten some questions from friends about the topic - so, necessarily, I've taken a closer look at exactly how to draw mountains, and some theory related to this. Considering there might be more people who could find this theory interesting and/or useful too - here's a little article about the topic. As the disclaimer says, I'm just going to look at some basic theory here. You should hopefully find something of use here, whether you do digital or traditional, cartoon style or hyperrealism. Also note - references will be a big help when it comes to drawing mountains correctly, just like they will help you with basically any other subject. I recommend you to use them, certainly if
Different art questions, and my answers - part 3 by BeckyKidus, literature
Literature
Different art questions, and my answers - part 3
Q: How to deal with art block?
A: That is a very good question, and there are a lot of different answers to this. Honestly, I would be rich if I had a perfect solution for this.
Usually, what it all boils down to is the expectations you have for yourself. You might expect to improve, and you get frustrated if you don't. You might expect to get positive feedback, and get disappointed if you don't.
The key is usually to remove whatever causes the frustration. If you worry about what others think about your art, draw for yourself and yourself only - which often includes not posting it on any social media, because we all know how addictive lik